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9301 The Qualities of Masculinity and Imperialism In "Lawrence of Arabia". This paper provides a study of the traits of both masculinity and British imperialism as are presented in the classic film, Lawrence of Arabia (1962). 9 pgs. Bibliography lists 6 sources.
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12015 Analysis of the Truth in the Film "Bulworth". This paper will discuss the elements of truth, which are apparent in the movie "Bulworth". By understanding the political scenarios that are so much a part of the hectic lifestyle of a politician, the objectives of truth seem tog et lost in the shuffle for power. The main elements of this paper will ask: How does the idea of truth fit into this movie, and how do the players in this political tale relate to it? By understanding these various elements of the candidate Bulworth, perhaps these questions can be answered. 4 pgs, bibliography lists 1 source.
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9527 "Not One More": Duty and the Sense of Responsibility. This paper explores the sense of duty as manifested by the characters of Wei Minzhi, Teachedr Gao, and Zhang Huike in the film "Not One More" by Chinese director Zhang Yimou. 3 pgs. No sources listed.
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9794 A Comparison of The Film: The Matrix and Plato's Cave Allegory. This paper will discuss the relation of Plato's Cave Allegory with the movie the Matrix. By understanding the relationships between light and darkness within the movie, we can understand the relationship that both these stories share in their scope. The movie will be examined to show the light and darkness relationship, as will the Cave Allegory in comparison to make clear how the two stories are interconnected in their scope of knowledge verses ignorance. 6 pgs. Bibliography lists 2 sources.
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9838 Poetic Perspective in "Il Postino". This is a film analysis of "Il Postino" which dissects the way the filmmaker uses angle, shot, color and lighting to create a formal picture of a classic love story which includes the famous poet Pablo Neruda as almost a peripheral character. The paper discusses how this is done by cropping Neruda's face out of almost every possible shot, creating odd angles and visual distraction that emphasizes the storybook perfection and formal aspects of the non-Neruda portions of the film. 5 pgs. No sources listed.
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9974 Review of Spartacus. From an historical standpoint, the film Spartacus, does not truly attempt to mimic the actual events or historical recorded of the time depicted in the film. Stanley Kubrick's 1960 film was taken up mid-stream.
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11879 Clockwork Orange. The attitudes toward criminal law reflected in "Clockwork Orange" by Anthony Burgess. 6 pgs, bibliography lists 1 source.
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