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12974 Platoon and The Green Berets. One must understand the purpose of a film in order to fully engage in a discussion of it. War films serve one of three basic categorical needs - to instill patriotism (as in The Green Beret's, Private Ryan, and Pearl Harbor), to entertain (as in Starship Troopers and Red October), and to frighten (as in Platoon and The Deer Hunter). The Green Berets and Platoon both cover the same conflict, but have major differences that mark them as quite dissimilar films. The time of production, the purpose and motivation, the tone and sense of reality in each are strikingly different but provide very good insight into the overall confusion about the Vietnam War that continues today. It is the purpose of this paper to examine both films in comparison and contrast so as to gain a better understanding of both. 8-pages, bibliography lists 2 sources.
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13028 Cultural Representations of Populism. This essay will examine how the philosophical understanding of populism is represented in Roger and Me and Cops in order to demonstrate that the film underlines a progressive view of populism, while Cops merely reinforces a conservative ethic, that of the power system.13-pages, bibliography lists 1 source.
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2104 Film / Media Studies: "Triumph Of Will:" An Analysis Of The Art Of Propaganda. This paper discusses and analyzes the Film "Triumph Of Will". A detailed look at the film and the state of propaganda are addressed. 5 pgs. 12 f/c. 10b.
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2267 Hollywood and the Construction of History. This paper compares Hollywood marketing strategy and European film marketing strategies. This paper details how Hollywood has tried to shape and define value and ideology through their movies. The American strategy has been to create fantasy and wipe out historical memory. The European strategy has been to construct history, culture and nostalgia in fixed reality. 11 pgs. 14 f/c. 6b.
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9554 Movie-Made America. This five-page paper discusses the book Movie-Made America by Robert Sklar. It discusses the role of movies in society, how movies reflected changes in American society over time, whether and to what extent they may have caused changes in society, and their power to reinforce changes in society. The only source is Sklar's book. 5 pgs. No sources listed.
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8151 "Pride and Prejudice" - the Book, the Movie. Too often, movie versions of great works of literature are not faithful to the book. Sometimes, directors "romanticize" the plot or change it around, diluting the original author's intent and making the viewing experience less enjoyable. Such did not happen to Jane Austen's "Pride and Prejudice", at least not in two versions - the 1940 movie starring Laurence Olivier and Greer Garson, and a 1995 serialized version that was made in England and shown on the BBC, as well as in this country. It is the latter I chose for this report on Austen's novel. I will show that it stayed with the book almost line for line and was a great success because of this. 5 pgs. Bibliography lists 3 sources.
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2869 Film Historiography: An Analysis of Jon Lewis' "We Do Not Ask You to Condone This". The author's central thesis is that the blacklist "saved" the Hollywood film industry in that it allowed corporate restructuring of an inefficient, largely entrepreneurial enterprise at a time when the film industry faced a variety of challenges in the marketplace and from government regulators. 6 pgs. 11 f/c. 1b.
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