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97 Henry IV. This paper discusses King Henry IV. King Henry IV and the Crown Prince, Hal or Prince Henry, are different personalities, as the play shows at the outset. The King is stately, disciplined and apprehensive about the situation in the kingdom. The Prince, on the other hand, has been wasting his time will vagrants and profligates at the Tavern and seemingly uncaring about the conditions of the kingdom and how his father and England feel about his behavior. But their separate dialogues - Hal's soliloquy in Act 1 Scene 2 and the King's outpouring on his son in Act 3 Scene 2 - reveal that they are alike. in at least the following matters : Both have a deep drive or inclination towards might and adulation.
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235 The Power of a Romantic Drama. This paper discusses the power that can be found in romantic drama. Drama has a way of being is quite powerful. It has the power to transform us; it can convey serious messages, lighten the load of even more serious situations, and make us feel not alone even when we truly are. Romantic drama especially has the power to transform. There is no one that is not touched by the power of love or lifted by the rivets of a powerful drama. The More the Merrier, while filled with many other facets of drama, is that medium we look to change us.
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377 Neil Simon. This paper is a summary of the early career of Neil Simon. It provides reviews of his most popular plays, but contains no literary analysis.
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382 Oedipus The King - A Look AT Historical Context. This paper discusses the historical context, literary devises, and characterizations in Oedipus the King. It analyzes the plot, the chorus, and the main characters.
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522 An Analysis of The Lion and the Jewel. This paper discusses Wole Soyinka's play. In my view, Wole Soyinka's play, The Lion and the Jewel, is a commentary on the idea that no matter how a society changes, or strives to change, tradition will remain a powerful force, a stubborn sage, that appears destined to triumph over change every time. However, by the play's conclusion, one comes away with the impression that appearances are not always what they seem, and that perhaps tradition and change are as inextricably linked as life and death.
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568 An Analysis of Cat on a Hot Tin Roof. The characters "Brick" and "Maggie" in Tennessee William's classic three-act play, Cat on a Hot Tin Roof, provide a fascinating study in interpersonal communication and more specifically, attribution theory. They are two people tattered by life, at odds with one another, and yet strangely but permanently attached, one by her fierce will and the fear of being alone, and the other out of utter resignation. The relationship between Brick and Maggie is a complicated one. Attribution Theory provides clues as to how it might be mended. It has been said, "if the foundation is strong, the rest can be fixed". Brick and Maggie show a strong foundation in that they have a long history together, and they have a way of coming together when forces are aligned against them.
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610 An Analysis of Fences. This paper discusses August Wilson's play, Fences. It is An All-American tale of broken dreams and regret. Wilson's protagonist, Troy Maxson, is a former Negro League baseball standout who was born too early and was too old to ever have a shot at the Majors once Jackie Robinson broke the league's color barrier. As a result, his life has turned into one long, torturous "what if". Set in Pittsburgh in 1957, Fences is much more than one man's tale. Troy Maxson represents a generation of African-American men who were born on the cusp of opportunity, just a little too early to reap the full rewards of their forefathers' struggles.
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