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533 An Analysis of A Streetcar Named Desire's. This paper is an analysis of Blanch Dubois's A Streetcar Named Desire's. It is as tragic a figure as can be found anywhere in American drama or literature. Her descent from wealthy and beautiful southern belle, to penniless, broken-down alcoholic is a painful and frightening one. After living through the deaths of her entire family, and suffering the eventual loss of the family estate, Belle Reve, to creditors, Blanche is forced to leave her home in Laurel, Mississippi and live with her younger sister, Stella and her husband, Stanley, in New Orleans. Blanche has lost everything but maintains her aristocratic attitude.
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539 An Analysis of Alice in Wonderland. This paper discusses Alice in Wonderland as a masterpiece of parody and satire. To the first time reader, exactly what the author is parodying and satirizing may remain unclear, but upon further examination Carroll's satirical intentions begin to emerge. Satire, by definition, is "the use of wit, irony or sarcasm to expose vice or folly". Throughout Alice in Wonderland Carroll uses satire to expose the "vice and folly" of the human condition, and more specifically, the adult human condition. Parody is defined as a "humorous or satirical imitation". It can be argued that Alice is a parody on the experience of growing up.
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542 Examining the Story of Aladdin. A 3-part description and analysis of the story of Aladdin. It includes a summary and value and cultural interpretations.
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568 An Analysis of Cat on a Hot Tin Roof. The characters "Brick" and "Maggie" in Tennessee William's classic three-act play, Cat on a Hot Tin Roof, provide a fascinating study in interpersonal communication and more specifically, attribution theory. They are two people tattered by life, at odds with one another, and yet strangely but permanently attached, one by her fierce will and the fear of being alone, and the other out of utter resignation. The relationship between Brick and Maggie is a complicated one. Attribution Theory provides clues as to how it might be mended. It has been said, "if the foundation is strong, the rest can be fixed". Brick and Maggie show a strong foundation in that they have a long history together, and they have a way of coming together when forces are aligned against them.
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569 "Because I could not stop for Death" and "Neighbor Rosicky". This paper compares "Because I could not stop for Death" and "Neighbor Rosicky." Emily Dickinson's poem #712, "Because I could not stop for Death", and Willa Cather's short story, "Neighbor Rosicky", both conjure up images and emotions related to death and human mortality. Each contains passages in which the characters ponder death, but they do so from contrasting perspectives. The narrator of Dickinson's poem wishes, albeit in vein, to avoid death, while Cather's Rosicky, although he does not wish to die, accepts death with a kind of benevolent resignation.
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577 An Analysis of Charlotte's Web. This is a book report on E.B White's classic children's novel, Charlotte's Web. "It didn't seem natural for a little girl to be so interested in animals." Mrs.Arable's fear most likely stems from the conventional wisdom put forth by society, that little girls should play with dolls and tea sets and befriend other little girls, as opposed to pigs and spiders. Perhaps this is what she herself enjoyed doing when she was a girl, and therefore she finds it only "natural" that Fern would do the same. She is so worried about Fern's behavior that she drives over to Dr.Dorian's office to see if he might diagnose the problem.
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598 An Analysis of Mulan. This paper is an analysis of Disney's animated film, Mulan. It takes its plot from the ancient Chinese legend of a girl who dresses as a boy to replace her crippled father in battle and ends up saving her country. By its very nature, Mulan is a film packed full of characters that represent Chinese people and their culture. Naturally, the debate is bound to arise over whether, in light of the fact that this is presumably a children's movie, Disney has done so responsibly. Mulan's predecessors, Pocahontas, Aladdin, and The Lion King, were all maligned for what many believed to be negative racial stereotyping and misrepresentation of the cultures they portrayed.
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