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19088 "Joe Millionaire Disappoints, and Redeems". This paper is written about Joe Millionaire. The individual watching the show feels that it is a disappointment to its viewers. The show is more of a hoax to Fox and those participating in the show.
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18100 Television: The Anti-Art? Paper presents contemporary arguments against television watching based on its negative effects on the cultural richness of a society like our own. Discusses the influence of advertisers on TV's creative element, and how other critically acclaimed "pure arts" like film and painting are just as market-driven.
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18797 Icons of Authority and Resistance: An Ideological and Semiotic The paper will argue the thesis that superhero comics have performed an ideologically dichotomous role in modern popular culture: at once they are both key structural supports of the ideological architecture of American imperialism while, at the same time, often functioning as subversive figures of resistance to the primary authority structures of that same empire. While an ideological analysis allows us to explore the functions of comic book superheroes in the power dynamics of mass culture, a semiotic analysis complements this approach by allowing us to understand how their ideological function has been reinforced by their "iconic" status within modern culture.
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19076 "The Television News Media and Social Control: Creating a Pacific Population". This paper is about television news media and social control that creates a pacific population. In his book The Social and Economic History of the Roman Empire, author M. Rostovtzeff writes that the institution of entertaining the mob was embraced by the ruling classes of Rome as a means of alleviating social tensions, and that the reasons for providing free entertainment were found within the need to maintain a calm social presence.
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19153 And The Lord Uttered, "Wilbur:" A Philosophic-Literary Analysis Of Cult Propaganda In The First Two Stanzas Of The "Mr. Ed" Theme Song. (Or, "A Brief Exercise In Pseudo-Intellectual Pretense"). Mr. Ed is a talking horse who lives with Wilbur, his human owner and (sic) companion. This corresponds to the traditional 50s television plotline that will be referred to here as the "Genie Principle" (Cf. "I Dream of Genie," in which no one can know about the Genie except the main character; hijinx inevitably ensue). Only Wilbur knows that Mr. Ed can talk; hijinx inevitably ensue. How, then, is Mr. Ed "famous?" Only in the realm of the viewer; i.e., only given situational irony. That being said, the "famous" Mr. Ed, while a talking horse (grounds for fame, if not infamy, by standard standards), is not in fact "famous" within the epistemological parameters of the show. On the contrary, only George knows he can talk (and, lest it be forgotten/understated, hijinx do in fact ensue).
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19656 Stereotypes in Days of Our Lives. This paper examines stereotyping in the daytime soap opera, Days of Our Lives. Stereotypes are defined and then identified in Days of Our Lives. The existence of a counter-text of feminist values and gender empowerment is also considered.
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15845 Internet Dating Addiction. Internet addiction is on the rise in today’s society. One form of Internet addiction that is afflicting computer users today is Internet dating addiction. This paper explores the issue of ‘Internet Dating Addiction’, which is a relatively new problem in the world. Ultimately, Internet interaction between people can be innocuous fun and can potentially lead to long-lasting relationships. It is only when these activities turn into an addition that is becomes cause for concern.
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