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2645 Power and Order in Shakespeare's The Tempest and Romeo and Juliet. This paper discusses how power creates a social structure that destroys the moral fiber of citizens in "Romeo and Juliet" and "The Tempest". Although the ending of "The Tempest" is more idealistic than in "Romeo and Juliet", we see the negative influence of power. In many respects, the issue of power in Shakespeare's "Romeo and Juliet" is precisely about the relationship between romantic love and parental power. In "The Tempest", meanwhile, it is clear that Antonio had too much power and abused the affairs of state. 5 pgs. 5 f/c. 5b.
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4349 Language and Power in Shakespeare's "The Tempest". Although the island of Shakespeare's Tempest is far removed from the political machinations of Milan, from where Prospero has fled, we discover that the island is not bereft of the political structure, which existed in the Dukedom. Prospero, in fact, dominates the island in a political manner and has subordinated his daughter, Miranda and the savage, Caliban, to his will. This occurs through the empowering force of language, which becomes a symbol of power in the play. 5 pgs. Bibliography lists 1 source.
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2917 The Nature of Conflict and the Question of Resolution in William Shakespeare's "The Tempest" This paper will argue that the form of "The Tempest" is one of conflicts unresolved and (quite literally) disharmony. As will be seen, the play suggests that harmony and closure are themselves illusions. In this analysis, resolution may be seen as an artificial construct, an act of power imposed from without upon a place or an action - such as Prospero's/Caliban's island or life itself - that is naturally chaotic and without form. 6 pgs. 20 f/c. 7b.
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6347 A Study In Contrasts Written Many Years Apart. This eight-page paper compares and contrasts "The Tempest" and "Oedipus the King". The authors, the themes, the writing styles and the characters are all contrasted and compared. 8 pgs. Bibliography lists 8 sources.
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6686 Shakespeare's: The Tempest. This three-page undergraduate paper discusses whether the world in The Bard's The Tempest was any different from or had anything 'new' that our world today does not. The paper analyzes if this a brave new world that Shakespeare shows us or simply an old one seen naively? The paper uses evidence from the play trying to explain what may be new. 3 pgs. No bibliography listed.
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4101 Troilus and Cressida: A Critique of Human Motivation. This paper examines the play, "Troilus and Cressida," as a critique on the mythology of the Trojan War, and as a larger comment on the problems of human desire and self-centered actions. There are three kinds of reasoning offered by three different characters, all of which make claims to a method for judgement, a method for values, and as a rationale for acting. Shakespeare's then portrays each character in contradiction, acting in self-serving ways, thus prolonging the war, trapped in a cycle of unresolvable issues that are based on the conflicts of human motivation. 6 pgs. Bibliography lists 1 source.
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6105 No Profit in Love in Two Shakespeare Plays: "Troilus and Cressida" and "The Tempest". This undergraduate level paper examines the idea that two of Shakespeare's plays, "The Tempest", and "Troilus and Cressida", demonstrate that in his satires, Shakespeare was attacking the idea that in love there is profit. 4 pgs. Bibliography lists 2 sources.
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